Killer Summer

January had a slow start, but things are rocking in the workshop now! We had great progress on the Jason hockey mask collection from “Friday the 13th” parts 3 to 9. Check out all the subtle differences from each film…

We got the latest and greatest Gamorrean mask done and couldn’t be happier with the result, so we’ll do a few more of those soon…

After a visit to the Ron Mueck exhibition we were inspired to sculpt something big, and after spending a lot of time at the beach this summer we figured it would be fun to try sand sculpting. We came up with this as a first try and we’ll be doing more in the near future…

And of course, the new year is a great time to throw together a greatest hits video of our favorite blood and gore effects. There is some pretty funny stuff on here…

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Keep your eyes peeled for our upcoming effects techniques classes – we’re working out the details now.

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The Horror of YLGU

I just got this back from a touring exhibition and thought it would be a great time to show it off…

Based on an iconic Rob Roskopp skateboard graphic from the 80′s, it was sculpted for CoCA’s 2008 Board Art exhibition in Christchurch. You can see a news article and video about it here.

Before delivering it to the gallery I bolted on some trucks and took it for a skate…

Note the Nelson Creek t-shirt – all Board Art entries were based on these New Zealand made boards, the only deck to ride. (Except Santa Cruz, of course!)

Sticking to the board wasn’t easy as the top of the board is covered in white tiger fun fur…

The finished result made me so proud that I had to show the original artist my impression of his work. I contacted Jim Phillips, the artist for Santa Cruz Skateboards and sent him a copy. Here’s what he said…

Hey Grubby,

That looks totally cool!

I showed my boss at NHS, he was stoked.
We are wondering if you could number them 1 to 10 on the back of the face latex face? 1/10, 2/10, etc. call them Artists Proofs. Sign em: Grubby, doing Jim Phillips of NHS – AP 3/10..

Got a film shooting in my studio tomorrow, on skate art,  and your latex is hanging on the wall, so it may show up.

Thanks!

Jim

This is Jim in his studio with my sculpture in front of some original Roskopp “Ugly Face” decks. I have 1/10 and he has 2/10, so only eight more need to find a home.

Hope I get to see that film one day…

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Uncle Lloyd Talks About My Film!

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Roller Derby Trophy

After the success of last year’s “Most Valuable Player” trophy (pictured below) we were commissioned to make a “Grand Champion” Trophy for this season’s Dead End Derby bouts.

This time around I wanted to go for something quite different, and ended up with a great wire frame roller skate covered in hundreds of pieces of jewelry and trinkets. Hopefully there is something for everyone – I know the skaters are very happy with the finished piece. We’re engraving a plaque that will be added after we see which team wins.

This should really give the girls something to battle it out for.

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Deliver Me To Hell

I just got this great poster from Little Sister Films and figured this is a good time to write a bit about our involvement in their production for Hell Pizza.

The idea for this project was to create a short zombie film with different storylines that can be watched in chapters, so the viewer can choose what decisions the characters should make to survive to the end. We were brought in late into the production but were able to add some great classic effects. The promotion’s finished now, but you can check it out starting here…

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Make sure you watch all the parts to see everything we achieved – the gory death scenes come when you make the wrong decision, so be creative.

Here we see the heroes having a great time killing zombies…

and here’s one that got away…

Despite our short preparation time we were able to come up with some really effective gags that made the finished film awesome.

One of my favorite gags involved attaching two dummies to a motorbike and sending it off a jump on top of a shipping container. I ran along guiding it until it got too fast, then let it go and dropped down out of shot. Here is what it looked like to me as it sailed off the ramp.

Once the guys in post production added some zombies for it to land on it looked amazing.

Check it out, 40 seconds in…

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The Spy

In the original Star Wars film, Zubaz the Garindan (aka “Snoot”) was a spy who informed the Stormtroopers as to the whereabouts of the infamous Millenium Falcon and it’s rebel crew as they prepared to leave Mos Eisley spaceport on Tattooine. I was commissioned to create a mask for a costumer building this character. I roughed out the basic shape literally in minutes, to prove how easy it would be to do – here’s the first picture I sent him.

It’s really just a blob of clay with some welding goggles and my sweatshirt.

Having sold him on the concept, I started again on the sculpture in earnest. After removing the snout for practical reasons I sculpted all the folds in his head, representing a baggy leather skin mask. I paid special attention to the area that would look pulled together once  the goggle strap was added. I realized the goggles would have to be replaced for the mask to be truly screen accurate, but to start I molded it with these welding goggles in place.

Happy with this much, I finished off the snoot and even added holes to accommodate stitching that would be sewn into the final latex mask. This is how it looked ready for molding.

I dyed the latex dark gray – you’ll see the mask came out of the mold with some plaster residue on it. The first step was to trim any excess rubber from around the neck. Then I cut out the end of the snout and the eye holes.

The many holes along the snout were drilled out using a rotary tool and the whole thing was thoroughly scrubbed clean.

To paint this type of mask I use Acrylic or better still Acrylic Enamel paint, with a small amount of liquid latex mixed in – approximately 15% by volume. This helps the paint to stick to the latex mask and makes it more flexible so it won’t flake off when stretched. I painted the whole thing with a very dark gray, making sure to get in to all the cracks and wrinkles.

To make the details stand out, I added a little white paint in with the gray and sponged it on, dabbing gently on to the highlights.

To glue the lens in I used a hard wearing, flexible adhesive like those designed for repairing sports shoes.

I got it in to the inside of the eye holes with a nice clean bead just back from the edge, spreading it in with a long tool.

Taking care not to smear the glue, I inserted the lens from the inside.

Then I aligned it, cleaned off the excess glue and held it in place till set.

Next I take a large needle and some thick elastic thread,

Starting at one end I sew through the rubber and knot the end to itself,

The thread crosses the crease on the outside…

but stays parallel on the inside, I go along two holes then back across on the outside,

it only need to LOOK like it’s sewn.

I use the same sewing pattern to stitch along the top of the snoot.

Lastly I take a strip of black webbing and cut slits in the sides of the goggles and glue it on the back of the mask and tuck the ends in to the slits.

Then of course I cover all my hard work with a cloak and hood.

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